Maree ReMalia Dances Through Life

Maree ReMalia is a dynamic force in the world of dance and movement. She infuses every project with joy, curiosity, and a sincere commitment to inclusivity.

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A woman lays in front of rows of red theater seats.

Dancer Maree ReMalia’s Creativity Impacts the Performance World

Earning her MFA from The Ohio State University, Maree’s career spans international stages. Her time includes performances at venues like the Daegu International Dance festival in South Korea and La MaMa Experimental Theatre Club in New York City. Yet her artistry remains deeply grounded in community and collaboration. As someone who had the privilege of joining the creative process and performing in her piece, The Ubiquitous Mass of Us, in 2014 and 2017, I witnessed firsthand her devotion to crafting work where everyone’s story and individuality shape the performance’s energy and meaning. Each of her works pulses with the vibrant personalities of her collaborators, both dancers and non-dancers. This results in pieces that feel alive and refreshingly unique.

Dancer Maree ReMalia curls up in a red theater chair.

Reaching Out to Help Others As Well

Maree’s impact extends beyond performance, she has served as the Interdisciplinary Choreographer for Middlebury College for over two years, taught at Point Park University, and has been a guest artist at institutions such as Bates Dance Festival and Cleveland Public Theatre. Whether leading movement workshops, crafting dance works, or performing, Maree transforms ordinary spaces into realms of playful exploration. Audiences leave her performances touched by wonder and connection, carrying away the sense that art and community are inextricably linked. Maree ReMalia isn’t just a choreographer; she’s a catalyst for connection, inspiring those around her to move, think, and feel in new ways.

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A woman sitting in a theater seat wraps her arms around it.

Story by Joseph Hall, Kelly Strayhorn Theater
Photography by Laura Petrilla
Shot on Location at Kelly Strayhorn Theater

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